NO WINNERS IN WHITE HOUSE VERSION OF CELEBRITY APPRENTICE

So, it has come to this. In our toxically polarized world, the battle for moral superiority between left and right rests on a surrogate matchup of Kathy Griffin and Ted Nugent, with an undercard starring Bill Maher and Tila Tequila.
In one ring, battling to the death for bragging rights as the most offensive and despicable, is Griffin, clutching a simulation of Donald Trump’s severed skull, and Nugent, with thoughts of an assassinated Obama dancing in his head. In the racist ring is Trump supporter and reality star Tequila, flashing her finest anti-black-and-brown Nazi salute, facing off against TV host Maher and his it’s-only-a-joke N-word banter. Que Michael Buffer: “Let’s get ready to rumble!”
Sadly, the rumbling never stops. Like tinnitus’s constant ringing, this high-pitched, acrimonious roar shows no sign of abating any time soon. It’s enough to make you long for simpler times when a celebrity saying stupid stuff was . . . well, just a celebrity saying stupid stuff. As opposed to an escalation of our endless ideological war.
The latest battleground surfaced last week when, for some inexplicable reason, Griffin, a comedian, released a picture of herself holding a faux bloody Trump head. There was no context, no lead-up, no punchline and, as far as anyone can tell, no laughter. As the excrement hit the fan, Griffin offered the standard comedic defense that she was only trying to be funny, that crossing the line of appropriateness is the heart of humor. Yeah but, there still has to be a hook to make the inappropriateness funny. Years ago, Joan Rivers used this line in her stand-up: “Boy George is all England needs – another queen who can’t dress.” Inappropriate? Sure, but it had a hook, a context that got a laugh – even from Boy George. All Griffin had was a bloody head.

As a result, her world began to crumble. Despite her apology, CNN fired Griffin from her standing New Year’s Eve gig with Anderson Cooper, who independently blasted her for the prank. Most of her summer tour venues have canceled on her. At a tearful press conference Friday, the comedian said Trump was out to get her, insisting, with a level of self-absorption rivaling the president’s, that the White House is “using me as the shiny object so that nobody is talking about his (Trump’s) FBI investigation.” Obviously, it would take much more than a bully comic holding another bully’s head to divert attention from this FBI investigation.

Meanwhile, Twitter and Facebook exploded into a fully involved proxy war. The president’s fans, predictably, expressed wildly indignant outrage over Griffin’s severed Trump head bit, many proposing acts of retribution outlawed by the Geneva Conventions. Then came a quick liberal chorus of “nana nana nana” with posts about Nugent, a 60s rocker who made a sharp right turn, and recently dined with Trump at the White House. Where was the conservative consternation, these posts asked, when Nugent called Obama a “mongrel” and invited him to “suck on my machine gun”? Then came a retrospective of various Obama-in-a-noose memes offered up by his many passionate detractors, raising this bizarre dialectic of moral equivalency: images depicting the lynching of our first black president versus a beheading of his successor. If the founding fathers had envisioned social media, the First Amendment would likely have come with an exclusionary clause.

With no ceasefire in sight, the war opened a new front Friday night when sharp-tongued comedian and Trump critic Maher used the N-word on his HBO show, “Real Time”. A guest, Republican Senator Ben Sasse, jokingly invited Maher to Nebraska to “work the fields.” The host’s response: “Work in the fields? Senator, I’m a house n***r.” Maher’s subsequent apology did little to subdue the Twitter rants. Conservatives, still bristling from their loss of Fox News idol Bill O’Reilly, demanded that HBO fire Maher. It was, of course, a tough case for them to make in 140 characters, given their party’s dismal track record on matters of race. So the tweets were mostly a gotcha thing, as in: “Fire him! You know that’s what Democrats would say if Sean Hannity used the word.” That provoked a liberal response about Tila Tequila, a fallen reality TV star and Trump supporter who has said vile things about blacks and Latinos and led a white nationalist audience in a “Heil Trump” salute last fall.

Yet, it was refreshing to see a number of messages from the left, many from black leaders, that unequivocally condemned a white comedian for using a racial epithet that has no business even residing in his vocabulary. It is, indeed, possible to abhor the deeply divisive and Draconian policies of the Trump administration while, at the same time, castigating entertainers of our political stripe when they jettison every line of decency.

Unfortunately, social media lulls us into the illusion of tribalism, complete with its us-versus-them modality. We lob our verbal grenades at anyone who seems to be part of the other side, slicing and dicing with an angry indignation that never stops. When one of our own is attacked, it’s time to re-powder, circle the wagons and fire away again, or so we think. These are, without a doubt, the most emotionally strained and troubled political times many of us have gone through. Our country is as torn and divided as it has been since the Civil War. There is so much at stake. To suggest, for even a moment, that Kathy Griffin is a victim worthy of our attention diminishes and denigrates the real Trump victims, like the 23 million people who would lose medical insurance under his plan, displaced workers denied job retraining benefits under his budget, families split and devastated by the cruelty of his deportations.

So let’s take some deep breaths and try to avoid the peripheral skirmishes that really don’t matter. That will make it easier to focus on the real challenge – reversing the course this country has been on since January 20.

2 thoughts on “NO WINNERS IN WHITE HOUSE VERSION OF CELEBRITY APPRENTICE”

  1. If not careful, everyone in the vicinity of Trump regresses to earlier states of development. It’s not pretty.

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